MOMA Exhibition Highlights Biofabrications And New Technologies … – Forbes
The Museum of Modern Art’s first exhibition dedicated to fashion design since 1944 presents garments and accessories that have had a profound impact on global culture over the last century.
In Items: Is Fashion Modern?, a total of 111 pieces span everything from the Little Black Dress and Levi’s 501 jeans, to the hoodie, the bikini, the stiletto and the Sari. About 30 of the items are also complemented by a new prototype, however – a commissioned or loaned piece inspired by advancements that signify where the industry is moving next.
These have been created by designers, artists, scientists, engineers, and manufacturers – those able to respond to the idea of these “indispensable items” with pioneering materials, approaches, and design revisions. Included is a t-shirt featuring the first lab-grown leather from bioengineering firm Modern Meadow; a dress woven from artificial spider silk by Bolt Threads marking a new partnership with designer Stella McCartney; and a new take on a customizable Breton shirt by 3D knitting company Unmade.
There’s also a fibre-optic Richard Nicoll dress on loan, created by wearable technology company XO, in partnership with Disney, as well as newly conceived versions of the pencil skirt, the biker jacket, the jumpsuit and more. Meanwhile, a wider zone in the exhibition devoted to new technologies and visions of the future, also features Issey Miyake’s A-POC and Pierre Cardin’s Cosmos Collection along with Gore-Tex, the leotard, and the Moon Boot.
Paola Antonelli, the MOMA’s Senior Curator for the Department of Architecture and Design, and its Director of Research and Development, shared her insights on the forward looking aspect of the exhibition and what it means for the future of fashion…
RA: What was your intention in including the new “prototypes” alongside certain established items in the exhibition?
PA: One of my favorite parts of my job over the years has been shaping platforms for the public to engage with emerging and established contemporary designers, and that’s certainly the case here with the new prototypes. I also really wanted audiences to think of the future while they contemplated the 111 typologies in terms of their present and historical past.